I’m reposting this interview I did today with my current publisher, Melville House. Read the full original post on their very cool blog MobyLives, covering all things literary, popular, unpopular, intellectually notable, common sense, illogical and … you get the gist.
Jason Bennett/MobyLives: Last week the American Library Association (ALA) released their Top Ten List of the Most Frequently Challenged Books of 2010. As we mentioned in our report, Melville House author, librarian, blogger, and activist Amy Sonnie (Hillbilly Nationalists, Urban Race Rebels, and Black Power: Community Organizing in Radical Times) was #9 on the list for her book Revolutionary Voices, which was originally published by Alyson Books in 2000.
Curious about what all this means–and excited I could talk to someone who’s both a librarian and an author on this list–I decided to ask Amy a few questions about free speech in libraries, how books are “challenged,” and how it feels to keep company with Stephenie Meyer.
What does this list say to you about the state of free speech in this country and libraries’ ability to circulate books with sensitive topics?
It tells us something very profound: People either love or hate vampires and gays, especially those wayfaring penguins. Oh, and true stories. People either love or hate the truth. This year was an especially bad year for reality with my book and Ehrenreich’s exposé on minimum wage work causing such controversy.
But more seriously, I don’t think we should look for reliable social data in a list like this, but I do think ALA’s annual roll call provides a useful pulse-check. First, it reminds the majority of us who oppose censorship that there are real challenges in our own backyards. Most people I talk to don’t know this happens.
Second, the list and Banned Book Week give people a chance to really talk about democratic principles and action. To ask: freedom to do what, for who and where? Most people say they oppose censorship, but they apply ‘free speech’ and ‘open access’ differently, with children vs. adults for example. Many books on the annual list, like mine, are geared toward teens. This opens a needed debate about youth rights and free expression. Our society is pretty inconsistent in how we treat young adults. Courts debate this everyday when they sentence juveniles to adult prisons or let schools limit students’ Internet access. So why not gather the controversies and raise the issue for public debate? More importantly, why not ask young adults themselves? In my work with teens, that’s exactly the discussion I used this list to generate even before I was on it. Oops, I just revealed my bias toward young people having rights. (Gasp!).
What do you think about your own book’s inclusion?
I was shocked actually. I knew about the local challenges, but it was surprising because the book is ten years old! Why now? One obvious reason, I think, is the growing backlash to the small gains of gay rights advocates over the last 15 years. And I really mean small. We have a long way to go. It was kind of cool, though, to be on the same list as The Hunger Games. Those books are amazing. I wonder what Katniss would say about all this?
If ALA weren’t drawing attention to this issue by publishing an annual list, do you think libraries would be more likely to cave to advocates who want these books banned?
I guess it’s worth mentioning here that I am a librarian, in addition to an author/editor. I enjoy kind of a great vantage point. Do I think libraries would cave to the pressure without it? Some would. Most, I hope, would not. I have faith in libraries’ commitment to strong professional ethics. I know librarians who faced incredible odds to stand up for those values. My optimism shows here, though. In one of the cases involving my book, it was a library director who removed it from the shelves. Concerned local residents and librarians got the word out and turned up the pressure for a while. ALA’s public education just assures a broader audience finds out so they might be better prepared if a challenge comes their way.
With all the fanfare surrounding the ALA’s Top Ten List of the Most Frequently Challenged Books of 2010, I think a lot of people (myself included) are confused about exactly what it means for a book to be challenged. Can you explain a bit about the process and why it’s significant when a book is officially challenged?
Challenges are significant because they intrinsically elevate the objection of one person to the level of community-wide muzzle. What one parent objects to, another may not. If a public library removes the book, they remove it for everyone. This makes any challenge an issue of broader public concern regardless of whether it results in a ban.
Most libraries have a process for community members to state their objection to a particular book, movie, etc. This is usually a written “Request for Reconsideration of Materials.” It is what it sounds like — a resident or parent asks the library to reconsider keeping something on the shelf. Libraries typically take the removal of an item very seriously. Most often, there are already policies in place to guide what they purchase and keep. This policy is informed by broader professional standards, like the Library Bill of Rights, as well as localized needs, such as an explicit commitment to maintain multilingual materials, or — in the case of schools – a focus on educational value and age appropriateness. These can be fuzzy areas to apply and that’s where many challenges gain ground. Separately, if the library has a process outlined for reconsideration requests they are supposed to follow it. This may involve a committee meeting to weigh the needs of the broader community against one person/group’s request to restrict access.
Based on what’s reported to ALA, we know that most decisions uphold libraries unique role as a place of free, unfettered inquiry. But sometimes the materials are actually removed – this year in 53 cases that we know about. Two of those bans were on my book.
Finally, how does it feel to beat out Twilight on this list?
This might disappoint some people, but Twilight and my book actually had the same number of challenges. So, the love-drunk vampires and outspoken queers are tied. Take that, Mr. Falwell.